在一種臨界的狀態下，裝置藝術何時能成為藝術？而人在其中是僅止於觀者，還是能作為創造藝術的一部分？
水是無形的，但當水面作為世界交介面上的皮膚，下雨、颳風、魚游的擾動便不停的在其上製造出可視的動態痕跡。
我們試圖在河岸上建立一層水面，將媒材移至與人交界的場域邊緣，於互相擾動的動態關係裡捕捉人們自行建立的感官樣態。

In which situation, apparatus could be transformed into the art. Then, human being would play the part in the formation of art.
Water is no form. However, it could exhibit the visible dynamic trace when the water surface disturbed by wind-blowing, fish swimming or raining…etc.
The project aims to capture vivid reaction by mean of the apparatus which installed on the waterfront for being the interface in between water and human.