作品概念由街邊廢棄招牌出發。當招牌原有的廣告圖像因年代舊化褪去之後，留下的燈箱框架本⾝有種特殊的結構美感，藝術家蒐集廢棄招牌燈箱作為材料，將廣告招牌結構統⼀為⽩⾊調，在橋邊⽔⾯上搭建，並重新設置燈光照明⽅式，讓招牌不再為了打廣告⽽存在，⽽是本⾝即成為⼀種造型作品，在⽉津港河道上延伸出⼀條⽩⾊的光街。

The concept for this work started from observations of abandoned street signs. When

the original images of the signs faded due to age, the remaining frames

of the light boxes still held a special structural beauty. The artists collected these frames and used

them as a material, unifying the structures with a white tone and placing them on the water

beside the bridge. Thus the signs have been re-vamped so they no longer exist for advertising, rather as elements of a street, paving out a white light on the river of Yuejin Harbor.