Image Description Image Description
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拾光

Time Light

土地是泥沙跟著水流經年累月的沖刷與堆積,一層層堆疊的水痕蘊藏在地底,啟動了生命的可能,蘊含著百年的過往與千年的記憶。

 

在作品〈拾光〉中,藝術團隊運用竹、木、鐵,在地面上創作一個從地面隆起並被光痕交疊的種子造型,發芽的莖轉換成路徑,讓觀者進入光痕包覆的空間中,在空間移動的路程裡,沿著光取捨出時間的遊走與痕跡。而造型外透過自然材質光影漫射出滿地的餘波,如同土地上生命的運行與交疊和在碰撞之後綻放的點點亮光


The  land shows the accumulative soil erosion of  many years, and the underground water trace evokes the image  life and presents the history and memories of  the past. In the piece,   “Time Light,” the artist team utilized bamboo, wood, and iron to make the shape of a seed rising from the ground overlapped with a light trace.  The path which is transformed from the sprouting stem invites viewers to enter this space which is illuminated  by the light trace. In the space where the path moves, time travel and traces are  extracted. The shape reflects waves on the ground via the lighting shadows of overlapping and colliding natural materials, symbolizing life  on the land.   

展出地點

月津港親水公園

臺南市鹽水區康樂路

藝術家

禹禹藝術工作室

YUYU ART STUDIO

Taiwan

為鹽水在地藝術工作團隊,作品大多以竹材、複合媒材作為創作材料,擅長運用材料本身的特性,來製造空間感與人產生互動,形塑極簡、立體環繞的雕塑性。長期關注地方文化、人生長在土地上與自然之間的和諧,強調作品中的空間性,使觀者被作品拉進另一個空間思維裡而產生更多的感受,在此創作者瞬間消失,只剩作品與觀者直接的對話狀態。藉由作品展現城市、文化與人的生活不同步調發展出屬於自己的特色,並找回對於自己原鄉的感動與故事。


For the salt water in the local art work team, most of the works are made of bamboo and composite media. They are good at using the characteristics of the materials themselves to create a sense of space and interaction with people, and to create a minimalist, three-dimensional sculpture. Long-term attention to local culture, the harmony between people growing in the land and nature, emphasizing the spatiality of the works, so that the viewer is drawn into another space thinking and produces more feelings, where the creator disappears instantly. Only the state of dialogue between the work and the viewer is left. Through the works, the city, culture and people's life are not synchronized to develop their own characteristics, and to find the touch and story of their hometown.

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