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連成兔行

Liancheng Tu Hang

作品運用古月津八景之一『赤兔望月』文本為發想,透過與學校合作共創的階段課程,將古詩中對於空間的無限想像透過互動繪製的方式傳達到新世代的學子心中,想像穿梭跳躍在連成巷內的兔子為早期商行繁榮的人潮,搭配現代LED燈具重現連成巷內的古早美容燈閃爍的盛況,複寫商行繁華”輝煌燈斗夜迢迢”的韻味,希望讓新時代的青年學子加深對於在地歷史文化的了解外,更能從鹽水古詩人的辭彙智慧中了解想像開創的獨特價值。


In one of the classical poetry, it depicted the romantic senses in which the tranquil field under the moonlight was like the quiet rabbits admiring the ancient Yuejin harbor. Based on the literature, the art team used the rabbits to symbolize the dense and busy crowd who shuttled in the Liancheng Lane in the old time. In order to represent the vintage salon lights which used to light up the alleys, the art team adopted LED light to duplicate the environment of “ thousands sparkling lights meandered along the harbor.”  Additionally, the rabbits displayed in the artwork were the coopertion with the local elementary schools. In this project, we delightedly invited the young students to paint out their creativity and imagination on the rabbits. Through this project, it not only rooted the local culture in primary art education, but also passed down the history to younger generation. We hoped the native kids can also immerse into the fun and interests in local culture and stories.

展出地點

連成巷

號, No. 10, 中山 路 4 巷, 鹽水區台南市737

藝術家

禹禹藝術工作室

YUYU ART STUDIO

Taiwan

為鹽水在地藝術工作團隊,作品大多以竹材、複合媒材作為創作材料,擅長運用材料本身的特性,來製造空間感與人產生互動,形塑極簡、立體環繞的雕塑性。長期關注地方文化、人生長在土地上與自然之間的和諧,強調作品中的空間性,使觀者被作品拉進另一個空間思維裡而產生更多的感受,在此創作者瞬間消失,只剩作品與觀者直接的對話狀態。藉由作品展現城市、文化與人的生活不同步調發展出屬於自己的特色,並找回對於自己原鄉的感動與故事。


For the salt water in the local art work team, most of the works are made of bamboo and composite media. They are good at using the characteristics of the materials themselves to create a sense of space and interaction with people, and to create a minimalist, three-dimensional sculpture. Long-term attention to local culture, the harmony between people growing in the land and nature, emphasizing the spatiality of the works, so that the viewer is drawn into another space thinking and produces more feelings, where the creator disappears instantly. Only the state of dialogue between the work and the viewer is left. Through the works, the city, culture and people's life are not synchronized to develop their own characteristics, and to find the touch and story of their hometown.

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