「樹」系列作品，長年以土地的能量、歷史、記憶，以及自然與人類之間的邊界為主題進行創作。

從某片土地與場所的歷史、能量中，想像出在那裡紮根的大樹形象，並以如同種植般的方式將其創造出來，構成一連串的系列。

作品同時展現了自然與人類（文明）之間的對比與相互影響，也呈現了每片土地上所流淌過的時間。

映照在鏡中的多個自己，象徵著對過去與未來、以及當下自身位置的重新審視，並確認「此刻」正是屬於自己的時間軸。

這件《鹽水的樹》，是一棵與修德拜亭的歷史與記憶共同成長的大樹，它向來訪者投射出關於當代社會、自我、地球歷史與時間的多重提問。

與這棵樹融為一體的體驗，將成為人們懷想此地的「透明的一天」。

The works in the Tree series have been created over many years, exploring themes of the energy, history, and memory of a place, as well as the boundary between nature and humanity.

Drawing inspiration from the history, energy, and memories rooted in a particular land or location, the series imagines the image of a grand tree growing from those elements and creates it in a way that resembles planting. It forms a continuous series of works.

At the same time, the works express the contrast and mutual influence between nature and humanity (civilization), while also representing the flow of time in each land.

The multiple reflections of oneself in the mirror symbolize a reevaluation of the past, present, and future, as well as one's current position, confirming that the present moment is one's place on their own timeline.

This work "The Tree of Saltwater" is a great tree that has grown alongside the history and memory of the Shudoku Zen Temple. It projects multiple reflections and questions about contemporary society, the self, the history of the Earth, and time to those who visit.

The experience of merging with this tree will become a "transparent day" for people to reflect on this place.